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The Walrus | Canada's Conversation
Monday, July 7, 2025

A major flaw in Alberta’s approach is its use of isolated images ripped from graphic novels to imply schools are awash in pornography. For nearly a century, free speech jurisprudence has emphasized that obscenity be judged in the context of an entire work—its structure, intent, and overall effect on the reader—and not by individual sentences or images. (That was the core of judge John Woolsey’s reasoning in his landmark 1933 decision lifting the ban on James Joyce’s Ulysses.) Those quick to denounce works by Mike Curato or Alison Bechdel should apply the same standard: read the whole book, not just the most salacious pages.

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Today’s Quiz Question

It appears Alberta is entering the book‐banning business. In late May, the province sent out a survey inviting Albertans to provide feedback on what is “acceptable for school library collections.” What does writer and University of Toronto literature professor Ira Wells note as a major flaw in their survey approach?

In this episode of What Happened Next, host Nathan Whitlock is joined by Natalie Zina Walschots. Natalie is an author, game designer, and journalist whose books include two poetry collections, DOOM: Love Poems for Supervillains and Thumbscrews. Her most recent book is the novel Hench, published by HarperCollins in 2021. That book was a finalist on Canada Reads and was nominated for a Locus Award for Best First Novel. Natalie and Nathan talk about the multiple times she has written, then scrapped, the sequel to Hench, about finally cracking the novel while working in a borrowed camper in small‐town Nova Scotia, and about the Canadian book that would have turned her very chill experience with Canada Reads into a “medieval joust.”

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Jennifer Hollett
Executive Director, The Walrus

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