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Plus the Body Shop’s decline and an iconic newspaper’s end
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In 2004, a group of activists decided to respond to the rising body count by walking what they called the Migrant Trail. They plotted a week‐long, 120‐kilometre route through the Tucson sector, one of the busiest for crossings and the site of many migrant deaths. The idea was to bear witness to those who died on the border and to experience—in a small way—the same heat, dust, and exhaustion. The group promised to return every year until the deaths stopped. They never did. More than 3,000 bodies have been recovered since 2004, and the walkers keep walking.

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Canada is bursting with talent and making waves on the world stage. Why is it important to share stories by Canadian artists and storytellers, not just within our borders but around the globe? And what does the future hold for the national cultural institutions that support the country’s creativity?

Join us in Ottawa, or online, at The Walrus Talks Canada’s Creative Power for a unique opportunity to hear directly from leaders of Canada’s key national cultural institutions as they tackle these pressing questions and share the extraordinary stories of cultivating Canada’s creative power.

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Samia Madwar
Senior Editor, The Walrus

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This newsletter was produced by CIBC Digital Journalism Fellow Makda Mulatu. Email us at letters@thewalrus.ca and your letter may be included in a future issue of The Walrus.



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