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The Best Books of Fall 2026

BY THE WALRUS STAFF

Illustration of a woman with brown hair and glasses trying to hold an armful of books. Most of the books are spilling down around her.

From features editor Dafna Izenberg:

We’re excited to present our fourth annual Best Books of Fall. All year, we anticipate the season’s bounty of titles. In spring, we begin assembling long wishlists. Soon, we are calling in ARCs (advance reading copies) from publishing houses across the country. Then the reading begins. By summer, we are buzzing with conversation, sharing impressions of the latest by a beloved veteran author, comparing memoirs that succeed against those that disappoint, swapping some volumes—“I think you might like this one”—while picking up others, reading some more, talking some more. Almost inevitably comes a moment when each of us thinks: This one. By the time we meet to decide on our list, we more or less know what will be on it.

This year, the standouts include new offerings from decorated Canadian writers, such as Mary Lawson, Patrick deWitt, and Jordan Tannahill. We were dazzled by the work of poets Nyla Matuk and Rebecca Perry, who both published debut fiction. And we’re delighted that half the books on our list are published by independent houses in Canada, including one in Quebec and two in British Columbia.

Excellent literature, made in Canada. Go. Read.


Dive into the Full List

Your support highlights new Canadian books

The Walrus is deepening its commitment to books when many media outlets have had to shrink or cut arts coverage. This year, we launched a full books section, in which our two literary columnists, Jason Guriel and Thea Lim, offer smart, sharp comment on the state of letters in this country. Complementing their insights are “Bookmarks,” short reviews—laser shots, really—of criticism, written by The Walrus staff, of recent releases. Some we love, some we don’t. The promise is honesty.

We also promise to explore what is produced—written, edited, translated, published—in Canada. We recently profiled Invisible Books, a small and self-described “scrappy” press with staff in Ontario, New Brunswick, and Nova Scotia. We’ve been putting a particular focus on independent Canadian houses in our coverage so far, because these accomplished outlets deserve support.

And by supporting The Walrus, you’re bringing them, and Canadian literature, to wider audiences. Thank you for helping us champion Canadian authors and their work.

A black and white headshot of Dafna.

— Dafna Izenberg

Features Editor, The Walrus


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